全世界的“鲁邦”们为了洗刷新手“鲁邦”带来的污名，齐聚日本，可如此众多的鲁邦到底哪个才是真正的鲁邦？真是着实需要大费一番脑筋的问题……　　本作为鲁邦三世OVA作品第三弹，发表于2008年。剧中采用了颠覆鲁邦传统设定的世界观，因而显得与其他所有鲁邦作品大为不同。作为鲁邦系列漫画创作40周年的纪念作品，本作面对的观众群更加偏向那些多年支持鲁邦并且看过大部分鲁邦剧集的观众，而不是鲁邦新粉丝aaa

eeeAlovingfilmtributetoRussianfilmmakerLarisaShepitko,whodiedtragicallyinacaraccidentin1979attheageof40.Thisdocumentarybyherhusband,ElemKlimov,includesexcerptsfromallofShepitko'sfilms,andherownvoiceisheardtalkingaboutherlifeandart.　　ElemKlimov'sgrief-strickenelegyLarisaexaminesthelifeofhislatewife—thefilmdirectorLarisaShepitko—throughaseriesofdirect-addressinterviewsandphotomontages,setagainstamournfulvisual-musicalbackdrop.Typically,Klimovfilmshissubjects(whichincludehimselfandseveralofShepitko'scollaborators)withinastark,snow-coveredforest,itstangledweboftreesstandinginasmetaphoricalrepresentationofaperhapsinexpressiblesuffering,theresultofShepitko'sprematuredeathwhilefilmingheradaptationofValentinRasputin'snovellaFarewelltoMatyora.InterweavinghomemoviefootagewithsequencesfromShepitko'swork(MayaBulgakova'spensiveplanecrashreminiscencefromWingstakesonseveralnewlayersofresonanceinthiscontext),Larisa'smostpowerfulpassageisitsfirstaccompaniedbythegrandiosefinalmusiccuefromShepitko'sYouandI,KlimovdissolvesbetweenaseriesofpersonalphotographsthatencompassLarisa'sentirelife,frombirthtodeath.Thisbriefsymphonyofsorrowanticipatesthecatharticreverse-motionclimaxofKlimov'sComeandSee,thoughbyplacingthescenefirstwithinLarisa'schronology,Klimovseemstobeworkingagainstcatharsis.Thepainisclearlyfresh,thewoundstillfestering,andKlimovwants—aboveall—tocapturehowdeepmisery'sknifehascut.

刚从英国留学回家的花颖（永濑廉），被告知自己成为了乌丸家第27代家主，还被安排了新的执事衣更月（清原翔bbb。花颖无法接受父亲的决定，一心只念着曾经十分照顾自己的老执事凤，但是凤却跟随父亲去往了欧洲。花颖却只能面对现实，在历经重重磨难，他们终于一起识破了针对乌丸家的一桩阴谋，花颖与衣更月一点一滴建立起牢不可破的关系……@追新番原创翻译

#我是动画人#《辉夜大小姐想让我告白》宣布新动画制作决eee。