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高中生潔西卡、班尼、迪安、艾瑞克和琳達,打算用手機拍攝他們的冒險經歷影片,只為了能在社群網站上獲得人ccc。他們決定潛入一間有名的廢棄公寓,琳達說服管理員讓他們進去後,五人發現了一間被警用封鎖線圍起來的公寓,在好奇心驅使下他們闖入了公寓。 他們四處搜索,並在房間裡發現了一張老舊的牛皮紙,身為唯一看得懂牛皮紙上文字的人,琳達朗讀紙上咒語,一個神秘的入口突然出現…五人發現自己無意間打開了通往神秘世界的入口,不僅如此,還觸怒了守護入口的超自然生物⋯。一場變調的試膽大會,喚醒了驚悚的靈異殺機,現在他們心中只剩下對死亡的恐懼、與回家的渴望……
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露皮塔·尼永奥、乔什·加德或将加盟僵尸题材恐怖喜剧[小怪兽](LittleMonsters,暂译),与亚历山大·英格兰([异形:契约])上演对手ddd。故事讲述一位不得志的音乐家,对侄子的幼儿园老师产生好感,自愿担任起陪护老师,护送他们参加儿童音乐节。而音乐节主办人也对老师展开爱情攻势,正当三人关系陷入窘境,僵尸来了!
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cccIn1959,analienexperimentcrashestoearthandinfectsafraternitymember.Theyfreezethebody,butinthemodernday,twogeekspledgingafraternityaccidentallythawthecorpse,whichproceedstoinfectthecampuswithparasitesthattransformtheirhostsintokillerzombies.
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Outofthefifties'B'Science-Fictionmonstermovies,thiseasilyranksasthebest.It'smostnotableasthefilmthatALIENisanunaccreditedremakeof,thusgivingitacertainhistoricalsignificance. Theintriguingplotisabouttherescueoftheonlymaroonedsurvivor(Col.Carruthers)ofanill-fatedexpeditiontoMars.Theauthorities,pig-headedasusual,falselyassumethathemurderedhisfellowcrewmembers,sothathe'dhavemoreprovisionstosurvive;henceheisbeingbroughtbacktoEarthtofacecourt-martialformurder.(ThereisalsoasomewhatinterestingplotreversalhereMostmoviesofthisnatureusuallybeginwiththeshipleavingEarth,enroutetoitsotherworlddestination,while,inthiscase,thestoryisbelievedfinished,andbeginsasthecharacterstake-offfromtheotherplanet,returningtoEarth).AstherescueshipisleavingMars,alurking,ominousshadowisseeninthelowercompartment.(Afrightening,atmosphericmoment,accomplishedthroughsheereconomyandsimplicity). Carruthersinsistsofhisinnocencetohisfellowcaptors,claimingthathisoriginalcrewmateswereslaughteredbyahostile,unseenpresenceonthedesoluteredplanet,butthree-guessesastotheirreactiontohisunusualplea.Naturally,hecan'tproveit,and50'sspaceauthoritieswerenotveryalienconscienceatthetime.(Asaside-thought,unseenmenacemayremindyouofthathighlyoriginalBLAIRWITCH). Aseveryonesacksout,ahaplesssupportingcharactorwhosenameisatthebottomofthecastinglist(guesswhatwillhappentohim)hearssomethinginthelowercompartment.Despiteyourfutiledon'tgodownthere,youjerccc!pleas,hedoesjustthat,andisappropriatelykilled(morelikethoroughlyobliterated)bytheshadowyfigurewithinsatiablebloodlustonitsmind.Inthevictim'scase,derelictionofdutyandsheercowardlinesswouldhavebeenthewisedecision.Thesceneisactuallywell-directed(forachange)anddevelopsmuchsuspense,astheentirefilmsurprisinglydoes. Thecrewfinallycatchesonthattheyhaveanunwantedshipcrasheronboard,andtryeverypossiblemeansattheirdisposaltoeliminateit,buttheunknowncreatureseemstocoppingananti-deathattitude.Provingtobeanevenmoreclever,worthyadversary,'IT!'alsohidesoutintheventilationshaftsoftheship(nowthatshouldringabell).Cahn'sforcefuldirectiongeneratesconsiderabletensionasthemalevolentstowawayworksitswayupfromoneleveloftheconfinedshiptothenext,eventuallyleavingtheremainingcharacterstrappedatthetop.Themovie'ssuspenseisbluntandrighttothepointIT!'hastokillthemorstarve,hencetheyhavetokillIT!ordie.Nothinglikethosenotwowaysaboutitchoices.Rentit,orcheckforitoncableifyouwishtoknowtheoutcome. Foralow-budgetquickie,IT!isquiteimpressiveandmemorable.Thedreadedsenseofclaustrophobictension,renderingthecharacters'helplessentrapment,ishighlyeffective.Thisisaproductioninwhichthelimitedbudgetandsmallsetsactuallyworkinfavoroftheplot'sscaryambience.Theblackwhitephotography(Yes,it'soneofthose!)helpstoenhanceitsdark,creepymood,andthesenseofapprehensionisquitehigh.(Moderndaycolorfreaksneverseemtotakethatintoconsideration).TheplotisalsosomewhatcynicallyironicIfthecreaturehadn'tstowedawayontheship,Carrutherswouldhavemostlikelybeenfoundguiltyofthechargesagainsthim. Theintelligentscript(seewhatImeanaboutrareity)waspennedbynotedScience-FictionauthorJeromeBixby(rememberTwilightZone'sIt'saGoodLife)Thepicture'stauteditingeliminatesanyextraneousdross.(ALIENtendedtodraginitsfirsthourwithitssophomoricdialogue,andwhydidithavetoincludethatstupidandultimatelycounter-productivesub-plotofAshbeingarobot,andfurtherdraggingthestorydowntoanotherbigbadconspiracyclicheUNNECESSARY!!!) DirectorCahnastutelykeepstherubber-suitedmonsteroff-screenandintheshadowsthrough-outmostoftheproceedings,keepingyourparanoidimaginationonconstantalert.Unfortunately,perhapsatthestudio'scommercialinsistance,itisalittleover-revealedattheclimax,butIhaven'tclaimedthistobetheperfectmasterpiece.Theperformances,thoughnothingaward-winning,areneverthelesscoolenoughsothatonebecomessincerelyconcernedastotheirfates.Notmanymoviesinrecenttimesevercomeclosetoachievingthat.Theycanbeover-producedfromheretoeternity,andusuallyonlysucceedinbeinggloriouslyannoying. Thisfilm'sstoryisnotreallytotallyoriginal(whatis),foritisbasedonA.E.VanVogt'sVOYAGEOFTHESPACEBEAGLE.AllALIENfanaticsshouldtrackdownanoldusedcopytoseewheretheinitialinfluencecamefrom. Aslongasyou'renotcravinganotherCGIwind-ding,youmayfinditworthwhile.Justdon'texpectthewomentobeRipleyprecursors.Thiswasstillthesock-knittingfifties,sadtosay.
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6月6日凌晨6点,美国外交官罗伯特•舍恩(LievSchreiber饰)刚出生的儿子不幸夭亡,在斯派尔多神父(GiovanniLombardoRadice饰)的建议之下,他收养了一个出生不久母亲便过世的婴儿,并为其取名戴ccc。 戴明(SeamusDavey-Fitzpatrick饰)在罗伯特的家中健康成长,从未生病。与之相对,各种怪事也不断在周围发生。罗伯特的妻子卡瑟琳(JuliaStiles饰)再次怀孕,她发现戴明竟然对尚在腹中的婴儿心存恶意。在布莱南神父的指点下,罗伯特得知戴明竟然是恶魔之子,他必将不断壮大,为害人间…… 本片为1976年同名作品的翻拍版。
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不受欢迎的青年尼特朗,坏脾气的他就像个不定时炸弹,在公众场合任由行为失控,母亲为了管教身心俱疲,宠溺的父亲会在闯祸后出面收拾残局,让尼特朗变本加ccc。他没学可上,成日在街头游荡,社区的孩子总是戏弄嘲笑他,直到遇见年华消逝、古怪却富有的海伦,他认为自己找到了朋友,母亲却觉得这位“新朋友”另有所图⋯⋯。 以犯罪电影见长的澳洲导演贾斯汀克佐,再度携手《血教育》编剧尚恩格兰特,这回收起形于外的暴虐,用冷静自持的角度,重新检视震惊全澳的真实社会事件。画面虽不见血腥,不言而喻的冷暴力,却让恐惧更深入骨髓。茱蒂戴维斯所饰演的母亲,表面虽强硬,但面对智力受损而不受控的孩子所产生的爱与恐惧,诠释层次分明。性格小生卡赖伯兰里琼斯令人不寒而慄的演出,也让他成功拿下坎城影帝。
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aaaWhenFBIAgentZackStewartiskilled,AgentJohnRipleytakesoverthethreecaseshewasworkingon,hopingonewillleadtohiskiller.ThefirstinvolvesgangsterJoeWalpoandRipleyfindshishideoutthroughJoe'sgirlfriend,ConnieAnderson.Joeiskilledbutitisestablishedhewas400milesawaywhenStewartwasmurdered.Thenextinvolvesacar-theftgangwhichRipleybreaksupbyusingoneofthegang,VinceAngelinoandhiswifeJulie.ThelastcaseinvolvesKateMartell,thevictimofanextortionistwhothreatenstokidnapherchildunlessshepayshim$10,000